#Erebus synth Patch#
Powered by USB, the reissue is sleek and portable with 18 patch points for interacting with other Eurorack gear. A modern classic.Faithfully reproduced from the original version 1, the new Erebus from Dreadbox is the same analog synth with a few improvements, better portability, and the option to be racked taking up 42hp. That’s a big part of the appeal of the Erebus, which builds on a simple formula to create something enticingly distinctive. The joy of a semi-modular synth is that you don’t need to reach for the patch cables to get out a good sound, but once you do start patching you unlock new options. Much like the Hades, which has also been reissued, the Erebus reveals layers of complexity and depth as you dig into its patch points and explore the power of its deceptively simple feature set. The Erebus comes in at just over £440, a very fair price for a boutique synth of this type. It’s a key part of the Erebus’s sound in much the same way as a spring reverb helps define the character of a Buchla Music Easel. The Erebus’s LFO isn’t patched anywhere by default, but can be patched in here to modulate the delay time for shimmering chorus effects or psychedelic old-school dubby delays.
Based on a fully analogue signal path with CV control, the echo section offers just three controls for echo time, feedback and wet/dry mix, but it’s got bags of character and allows you to make the synth sound far more complex and nuanced than it would do without echo. The option to play the two oscillators against each other opens up some interesting creative options, especially with the separate glide controls for each VCO, offering some beautifully atonal slew effects or longer drones which eventually lock into harmony with each other.ĭon’t underestimate the importance of the Erebus’s simple but effective built-in echo effect. There are monophonic and polyphonic synths in the Dreadbox range, but the Erebus sits nicely in between. The duophonic/paraphonic nature of the synth is also a key point in the Erebus’s favour. At higher resonance settings that filter can get squelchy and acid-like too. There’s a juicy warmth to the oscillators and filter which lends itself nicely to arpeggios and riffs as well as deeper basslines. How much that inspired the circuits of the Erebus is debatable, but the sound of the module feels rich and beautiful rather than necessarily dark. In Greek mythology, Ἔρεβος is the personification of darkness, or the gloomy area between earth and the underworld. It’s also Eurorack-compatible, to the extent that you can remove the front panel from its case and rack it up alongside other Eurorack modules if you want (there’s even a ribbon cable supplied in the box to save you having to find a spare).
#Erebus synth software#
There’s no internal sequencer or built-in keyboard, but you can control over CV/gate or MIDI, meaning it’s compatible with almost any combination of MIDI controllers, software or hardware sequencers you choose.
Finally, there’s a lo-fi echo circuit before the sound hits the output. These are mixed and fed into a single two-pole low-pass filter controlled by an ADSR envelope, then into the VCA controlled by a more simple AR envelope. What we have here is a paraphonic synth module, with two oscillators each offering two waveforms. Otherwise, it sticks to the same formula as the original. the minimum times) of the two envelope generators. As such, the Erebus benefits from changes around the envelope generators, increasing the snappiness (i.e. Instead, it’s just about bringing back those modern classics from the Dreadbox catalogue and making minor tweaks where necessary. The point with these Dreadbox reissues isn’t to reinvent the original synths like, say, a Korg MS20 Mini reissue with its added MIDI or even a full-on Roland Boutique reboot, reimagining something like the TR-808 analogue drum machine as a modern digital instrument. The Erebus is a faithful reproduction of the original V1 model, with a couple of very small updates.
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